Performing Renaissance Church Music in Nineteenth‐Century Germany: Issues and Challenges in the Study of Performative Reception

Performing Renaissance Church Music in Nineteenth‐Century Germany: Issues and Challenges in the Study of Performative Reception

Source :

• Music and Letters [ 0027-4224 ] ; 2002-05.

English descriptors

• Teeft :
  • Alexandre choron, Allgemeine, Allgemeine deutsche, Allgemeine musikalische zeitung, Alten, Ambros, Auch, Aufsatze, August, August eduard grell, Baini, Baumstark, Berlin singakademie, Bernhard janz, Blatter, Blumner, Briefe, Cantus divinus, Capella, Cappella, Carl friedrich zelter, Case studies, Choir, Choral, Choral societies, Christoph lickleder, Church music, Church style, Concerted works, Contemporary discussion, Crescendo, Diese, Dieser, Divina, Documenta caeciliana, Durch, Dynamic contrasts, Dynamic indications, Dynamic markings, Early church music, Early music, Editorische werk carl proskes, Eduard, Eduard grell, Einer, Embellishment, Ersten drei bande, Evangelical liturgy, Expressive parameters, First half, Fliegende, Fliegende blatter, Franz, Franz xaver haberl, Franz xaver witt, Friedr, Friedrich, Georg, German choirs, German musicians, Gesammelte schriften, Geschichte, Grell, Haben, Haberl, Heinrich, Hermesdorff, Historical performance, Historical performance practice, Hoffmann, Holy week, Ibid, Improperia, Instrumental music, Italian compositions, Italian music, Jahrhundert, Johann, Johann gottfried hientzsch, Johann joachim winckelmann, Justus, Justus thibaut, Kapelle, Karl proske, Keit, Kirchenmusik, Kirchenmusikalisches jahrbuch, Kirsch, Kyrie, Lassus, Leben, Leipzig, Liszt, Liturgical, Liturgischen andachten, Liturgy, Marcelli, Mater, Meister, Mendelssohn, Michael haller, Michael hermesdorff, Miserere, Missa, Missa papae marcelli, Missa puisque perdu, Modern music, Modern performers, Modernen kirchencomponisten, Motet, Musica, Musica divina, Musica sacra, Musik, Musikalische, Musikalische aufsatze, Musikalische briefe, Musikalisches kunstmagazin, Nach, Nageli, Neue, Neue kirchenmusik, Nicht, Nicolai, Nineteenth century, Other aspects, Palestrina, Palestrina gesamtausgabe, Palestrina style, Palestrinastil, Papae, Papal chapel, Papal choir, Performance practice, Performative, Performative reception, Polemical, Popular perceptions, Proske, Protestant service, Puisque, Raphael georg kiesewetter, Regensburg, Regensburg tradition, Reichardt, Reinheit, Renaissance, Renaissance church music, Renaissance compositions, Renaissance music, Renaissance pieces, Repertory, Repr, Richard wagner, Sacrum, Sammlung, Sammlung ausgezeichneter compositionen, Sein, Sich, Singakademie, Sistine, Sistine chapel, Slow tempos, Spohr, Stabat, Stabat mater, Stile, Stile antico compositions, Stylus, Such music, Such practices, Such works, Tempo, Thibaut, Tieck, Tonkunst, Trans, Uber, Uber reinheit, Ueber, Unaccompanied performance, Unbroken tradition, Unconscious modification, Underpinning, Vocal music, Vols, Vortrag, Welche, Wenn, Werden, Werke, Werke palestrinas, Winfried kirsch, Winterfeld, Wird, Witt, Xaver, Zelter, Zweite denkschrift.

Abstract

• https://api.istex.fr/document/BF88EA4F02DE048D43A69A5503535BE2176BE9AD/fulltext/pdf

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